|photo by Caryn Lum|
When I was growing up, the word "Lefty" often referred to someone with Communist leanings. The word for Left in Latin is Sinistra. Sinistra eventually took on meanings of evil and bad luck. In the Middle Ages, lefties fell under suspicion as possible witches. Left-handed people, generations before me, were often forced to learn to write with their right hand. Left-handed people were thought to more likely develop schizophrenia or to live shorter lives. Both of those assumptions have been disproved.
The ratio of 90-10 of right to left-handedness has remained steady though for the last 5000 years.*Researchers at Northwestern University think that the ratio reflects our need for cooperation and competitiveness in society. If you are a righty, you probably never question that the tool you pick up will work for you. That tool has been design for the majority to use. A ladle is a good example: try pouring water from a ladle with your left hand and you will see the difficulties faced by lefties.
New research considers the benefits of being left-handed. Lefties develop deep cognitive abilities because we need to improvise every day to make a right-handed world work for us, which is one reason why so many creatives are left-handed.
|a postcard I sent to a friend after the workshop|
I thought about all of these things as I walked into another calligraphy workshop. Usually, in an art class, I am among other lefties. In calligraphy, I stand out. "Who's left-handed?" the instructor will often ask and then I hear a groan of sympathy from the other attendees as I raise my solitary left hand. Calligraphy is harder for lefties. Watch former President Obama sign legislation and you can understand. He writes with his hand above the line as many lefties do. I was lucky. When I learned to write, my teacher knew to turn my paper so that it slanted to the right instead of to the left as right-handers do. I can see what I am writing that way without placing my hand above the line.
In the workshop, Melissa Dinwiddie taught us Neuland (pronounced Noy-land) an alphabet designed by Rudolph Koch in the 1920s, which is still used widely today. (Check out Pinterest pages of Neuland). It's a forgiving alphabet because it has its own quirks that give the writer the ability to incorporate mistakes. It is also challenging to righties because they need to do what lefties often have to do: move the paper around as they write and to manuever the pen in awkward directions to form letters.
Melissa taught us more than the Neuland alphabet. And she let me figure out how to make the letters with my left hand. Often people will suggest to write from right to left or upside down. These techniques work, but need practice. I find it easier to stick with my normal way of writing. Melissa's business, Living a Creative Life, allows her to make a living from art by encouraging people to find their creative side. She inspired us to be playful and to ignore what she called the calligraphy police.
She left us two thoughtful posters that she gave permission to share:
|Note the imperfection in this draft of her poster|